Flowers, fruits, landscapes, and other memories: Shen Xiao Tong, Lu Luo, Zhuang Hong-yi, and He Tianqi

9 February - 25 March 2023
  • Flowers, fruits, landscapes, and other memories

    Shen Xiaotong, Lu Luo, Zhuang Hong-yi, and He Tianqi
  • IMPULSE GALLERY is delighted to present “Flowers, Fruits, Landscapes, and other Memories”, the gallery's first show introducing the work of Shen Xiaotong (沈晓彤). The artist's first major exhibition in Switzerland is be accompanied by Lu Luo (罗璐), Zhuang Hong-yi (庄红艺), and He Tianqi (贺天琪). These artists pay special attention to the world around us; the natural and the spiritual.

     

     

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  • SHEN XIAOTONG
    SHEN XIAOTONG
    Shen Xiaotong was born in Sichuan Province, China, and graduated from  Sichuan Fine Arts Institute in 1989. The artist explores the art of portrait, still life and landscape with the use of a limited palette of colours, often even only a single colour.
     
    Shen Xiaotong, who has witnessed the evolution of contemporary Chinese art over the last decades and the impact of Western trends and concepts in art, has firmly embraced the observation and expression of the world around him through his painting. His artistic practice distances itself from cultural rebellion and focuses on the human being as an individual, and on the space around him. Portraits of childhood friends and relatives, flowers, bamboo, and enigmatic mountains are essential subjects in the artist's work. As Xu Sheng accurately manifested: “Shen’s paintings remind us of the fact that there is no painting, there is no image, and there is no language. There are but strokes of paint left on the canvas. These strokes are not a signifier of the relation between the painter and his works, because artworks are conceptual and abstract as well.”
     
    The artist has participated in some of the most significant Chinese contemporary art exhibitions like China Avant-Garde, 1989, Beijing and New Art from China: Post-1989, Hong Kong. He held his first solo exhibition in Beijing in 1994 and more recently in 2022, the Long Museum in Shanghai honoured him with the retrospective “Shen Xiaotong´s painting” solo exhibition, covering the artist’s work during the last decade. 
     
     
    • Shen Xiaotong Bamboo No.2, 2020 Oil on canvas 240 x 170 cm 94 ½ x 66 ⅞ in
      Shen Xiaotong
      Bamboo No.2, 2020
      Oil on canvas
      240 x 170 cm
      94 ½ x 66 ⅞ in
    • Shen Xiaotong Flower No.7, 2017 Chinese ink and oil on canvas 76 x 60 cm 29 ⅞ x 23 ⅝ in
      Shen Xiaotong
      Flower No.7, 2017
      Chinese ink and oil on canvas
      76 x 60 cm
      29 ⅞ x 23 ⅝ in
    • Shen Xiaotong Bamboo No.3, 2020 Oil on canvas 240 x 170 cm
      Shen Xiaotong
      Bamboo No.3, 2020
      Oil on canvas
      240 x 170 cm
  • "The world is a flower of the mind. The fruit of this flower is not any concept of the being, but the vanishment of all boundaries between all things, actions, and experiences."
    Shen Xiaotong, Lu Luo and Zhuang Hong-yi were not only born in the same region - the province of Sichuan in southwest China - but their creations are also strongly rooted in their ancestral culture and heritage. Lu Luo's work is known for the use of vibrant color palettes and the implementation of diverse materials such as textiles, rice paper, and jute. Materials, which are not simply added to the canvas, but are incorporated with masterful craftsmanship, enrich the work with textures and volumes, giving it a strong sculptural character. The artist, who was born and raised in the backstage of a Chinese opera house, developed very early a clear aesthetic and formal language with strong notions of identity and culture. Painting and sculpture are merged in Lu Luo’s work, resulting in a unique language that is constantly evolving. Her pieces have the richness of an opera and the versatility that their staging demands.
    • Lu Luo LU-22-136, 2022 Mixed media on canvas 150 x 200 cm 59 x 78 ¾ in
      Lu Luo
      LU-22-136, 2022
      Mixed media on canvas
      150 x 200 cm
      59 x 78 ¾ in
    • Lu Luo 文 / Speech Mixed media on canvas 180 x 160 cm 70 ⅞ x 63 in
      Lu Luo
      文 / Speech
      Mixed media on canvas
      180 x 160 cm
      70 ⅞ x 63 in
    • Lu Luo LU22-135 _ 150x200CM (Final), 2022 Mixed media on canvas 150 x 200 cm 59 x 78 ¾ in
      Lu Luo
      LU22-135 _ 150x200CM (Final), 2022
      Mixed media on canvas
      150 x 200 cm
      59 x 78 ¾ in
    • Lu Luo LU-22-BC012 | 24X96CM, 2022 Coloured paper ropes on wood 12 x 96 cm 4 ¾ x 37 ¾ in
      Lu Luo
      LU-22-BC012 | 24X96CM, 2022
      Coloured paper ropes on wood
      12 x 96 cm
      4 ¾ x 37 ¾ in
    • Lu Luo LU-BC020, 2022 Mixed media 72 x 103 cm 28 ⅜ x 40 ½ in
      Lu Luo
      LU-BC020, 2022
      Mixed media
      72 x 103 cm
      28 ⅜ x 40 ½ in
    • Lu Luo LU22-BC029 _ 12X48CM (1), 2022 Coloured paper ropes on wood 12 x 48 cm 4 ¾ x 18 ⅞ in
      Lu Luo
      LU22-BC029 _ 12X48CM (1), 2022
      Coloured paper ropes on wood
      12 x 48 cm
      4 ¾ x 18 ⅞ in
  • On the other hand, the selection of artworks by Shen Xiaotong confronts the viewer with a more nostalgic perspective on Chinese landscapes and still lifes. Although the initial impression that his pieces offer seems rather serene, the restrained use of color infuses them with a powerful aura of simplicity and mystery. Although flowers, fruits and landscapes are common denominators in the memory of all human beings, the almost conceptual way in which the artist captures them, makes the works seem to blur on the wall like a memory, or an oneiric vision. The images that the artist shows trigger deeper, more intense, more complex remembrance in the viewer. This is the first time these pieces are exhibited after his solo exhibition  “Shen Xiaotong's painting” at the Long Museum in Shanghai, which covered his artistic practice for the past 10 years.
    • Shen Xiaotong Chinese Ink Landscape No.2, 2017 Chinese ink and oil on canvas 60 x 76 cm 23 ⅝ x 29 ⅞ in
      Shen Xiaotong
      Chinese Ink Landscape No.2, 2017
      Chinese ink and oil on canvas
      60 x 76 cm
      23 ⅝ x 29 ⅞ in
    • Shen Xiaotong Apple No.1, 2014 Oil on canvas 100 x 120 cm 39 ⅜ x 47 ¼ in
      Shen Xiaotong
      Apple No.1, 2014
      Oil on canvas
      100 x 120 cm
      39 ⅜ x 47 ¼ in
    • Shen Xiaotong Chinese Ink Flower No.3, 2016 Chinese ink and oil on canvas 70 x 60 cm 27 ½ x 23 ⅝ in
      Shen Xiaotong
      Chinese Ink Flower No.3, 2016
      Chinese ink and oil on canvas
      70 x 60 cm
      27 ½ x 23 ⅝ in
    • Shen Xiaotong Flower No.4, 2017 Oil on canvas 120 x 100 cm 47 ¼ x 39 ⅜ in
      Shen Xiaotong
      Flower No.4, 2017
      Oil on canvas
      120 x 100 cm
      47 ¼ x 39 ⅜ in
    • Shen Xiaotong Chinese Ink Residual Fruit No.2, 2016 Chinese ink and oil on canvas ø 80 cm ø 31 ½ in
      Shen Xiaotong
      Chinese Ink Residual Fruit No.2, 2016
      Chinese ink and oil on canvas
      ø 80 cm
      ø 31 ½ in
    • Shen Xiaotong Plant No.5, 2017 Oil on canvas 100 x 120 cm 39 ⅜ x 47 ¼ in
      Shen Xiaotong
      Plant No.5, 2017
      Oil on canvas
      100 x 120 cm
      39 ⅜ x 47 ¼ in
  • The flowers in Shen Xiaotong’s work are further developed using strong chromatic transitions and textures by Zhuang Hong-yi. His monumental pieces are an extraordinary homage to the ecstatic potentiality of flora. In the artist's work, flowers are not presented in the manner of classical still life where they need a vase to contain them. Zhuang Hong-yi's flowers are omnipresent. They overflow the canvas; they are the canvas; they are the horizon; they are the beginning and the end. Hong-yi's artworks offer the viewer an opulent universe of color and textures. The use of traditional Chinese rice paper is an essential part of Zhuang Hong-yi's creations; the ancient material is masterfully embedded by the artist, offering his pieces, as in Lu Luo's work, a sculptural and unique character.
    • Zhuang Hong-yi Allure, 2020 Rice paper and acrylic on canvas 250 x 200 cm
      Zhuang Hong-yi
      Allure, 2020
      Rice paper and acrylic on canvas
      250 x 200 cm
    • Zhuang Hong-yi Connecting lines, 2018 Rice paper, ink, and acrylic on canvas 200 x 250 cm 78 ¾ x 98 ⅜ in
      Zhuang Hong-yi
      Connecting lines, 2018
      Rice paper, ink, and acrylic on canvas
      200 x 250 cm
      78 ¾ x 98 ⅜ in
    • Zhuang Hong-yi Aegean Bloom Rice paper and acrylic on canvas 203 x 152 cm 79 ⅞ x 59 ⅞ in
      Zhuang Hong-yi
      Aegean Bloom
      Rice paper and acrylic on canvas
      203 x 152 cm
      79 ⅞ x 59 ⅞ in
    • Zhuang Hong-yi Circle of Nature, 2022 Acrylic and rice paper on canvas 160 cm in diameter 63 in in diameter
      Zhuang Hong-yi
      Circle of Nature, 2022
      Acrylic and rice paper on canvas
      160 cm in diameter
      63 in in diameter
    • Zhuang Hong-yi Fall, 2022 Acrylic and rice paper on canvas 180 x 300 cm 70 ⅞ x 118 ⅛ in
      Zhuang Hong-yi
      Fall, 2022
      Acrylic and rice paper on canvas
      180 x 300 cm
      70 ⅞ x 118 ⅛ in
    • Zhuang Hong-yi Flower Wall, 2022 Acrylic and rice paper on canvas 150 x 120 cm 59 x 47 ¼ in
      Zhuang Hong-yi
      Flower Wall, 2022
      Acrylic and rice paper on canvas
      150 x 120 cm
      59 x 47 ¼ in
  • With an almost disruptive vision, He Tianqi complements and, at the same time, seems to challenge the perspectives of Lu Luo, Shen Xiaotong, and Zhuang Hong-yi. The work of this promising young artist, born in the city of Xi'an in the Shaan Xi province, is characterized by a strong geometric and chromatic dynamic. In addition, a palette of fluorescent and ultra-bright colors shading the geometric and organic forms embody the language of the artist. A language, whose strength will certainly polarize the viewer. Memories, landscapes, and still life are reinterpreted and reproduced by He Tianqi in an almost psychedelic way.
    • He TianQi Garden, 2022 Acrylic on canvas 150 x 150 cm 59 x 59 in
      He TianQi
      Garden, 2022
      Acrylic on canvas
      150 x 150 cm
      59 x 59 in
    • He TianQi Donut, 2022 Acrylic on canvas 200 x 160 cm 78 ¾ x 63 in
      He TianQi
      Donut, 2022
      Acrylic on canvas
      200 x 160 cm
      78 ¾ x 63 in
    • He TianQi Wave, 2022 Acrylic on canvas 200 x 270 cm 78 ¾ x 106 ¼ in
      He TianQi
      Wave, 2022
      Acrylic on canvas
      200 x 270 cm
      78 ¾ x 106 ¼ in
  • “Flowers, fruits, landscapes, and other memories” explores the parallels in the work of these four prolific contemporary Chinese artists and pays tribute to ordinary objects and scenes in daily life. The viewer will be immersed in a magnificent and unexpected journey, while navigating between the calm bamboo forests by Shen Xiaotong and the floral horizons of Zhuang Hong-yii; or between the chromatic and objectual formality of Lu Luo and the quasi-psychedelic landscapes by He Tianqi.